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2018列奥纳多艺术、科学与技术系列讲座

感知的技术传递

讲者：

马克·汉森（Mark B.N. Hansen）

日期：

2018.06.02 周六

时间：

15:00-17:00 

语言：

英文（配中文现场翻译） 

地点：

新时线媒体艺术中心（上海市普陀区莫干山路50号18号楼101）

联合主办：

新时线媒体艺术中心，中央美院艺术与技术中心，中央美术学院美术馆

合作：

列奥纳多/国际艺术、科学与技术协会

 关于讲座 

本场讲座将探讨人与机器之间共享一种美学之可能性。法国哲学家吉伯特·西蒙栋将信息构思为无需指定接受对象（pregiven receiver）的接受（receptivity），从这一观念出发，我们将探讨环境个体化的运行机制，以及技术媒体在其中所发挥的双重作用：技术媒体一方面增强人类对于环境的敏感性，另一方面则在影响人类和环境个体化的因果世系中扮演着替代“呈递者”的角色。我们将透过一些艺术作品来思考：人类如何与机器共享感性世界，而这对于美学在经验中所扮演的角色又意味着什么？

5000 Feet is the Best, Omer Fast, 2011. Coutesy of the artist.

im here to learn so :)))))), Zach Blas & Jemima Wyman, 2017. Courtesy of the artist.

 关于讲者 

马克·汉森（Mark B.N. Hansen）

马克·汉森系杜克大学文学课程和杜克大学艺术、艺术史与视觉研究系詹姆斯·B·杜克讲席教授，以及杜克大学计算机媒体艺术与文化课程联合创始者。汉森的研究、写作和教学专注于探究技术在人类能动性、环境过程和社会生活，以及在人类-机器个体化的哲学中所扮演的角色。在一系列跨领域的研究工作中，其中包括文学研究、电影与媒体研究、过程哲学、现象学、科学研究、认知神经科学、人工智能以及环境研究等，汉森致力于探究不断的技术外化（technological exteriorization）所产生的意义，这种外化构成了人类生命形式的特征。汉森所撰写的著作包括：《代码之身：新媒体接口》（Bodies in Code: Interfaces with New Media）、《新媒体的新哲学》（New Philosophy for New Media）、《体现技术：超越写作的技术》（Embodying Technesis: Technology Beyond Writing）。其最新著作《前馈：二十一世纪媒体的未来》（Feed-Forward: On the Future of Twenty-First-Century Media）探讨了当代文化中计算过程所扮演的角色，以及这些过程的扩散并对人类经验所产生的非感知性影响。当前正在进行的项目包括《设计意识》（Designing Consciousness）、《未来性的逻辑学》（Logics of Futurity）和《感性的拓扑学：通向一种思辨的现象学》（Topology of Sensibility: Towards a Speculative Phenomenology）。

Leonardo Art, Science and Technology Lecture Series

The Technical Distribution of Sensibility

Speaker:

Mark B.N. Hansen

Date: 

02.06.2018 Saturday

Time: 

15:00 – 17:00

Language: 

English (with Chinese interpreting)

Venue: 

Chronus Art Center (No.18, No.50 Mo Gan Shan Rd, Shanghai)

Co-organized by Chronus Art Center, CAFA Center for Art and Technology, CAFA Art Museum

In collaboration with Leonardo / ISAST

 About the Lecture 

This lecture will explore the possibility of an aesthetics that is shared between humans and machines. We will mobilize French philosopher Gilbert Simondon’s conception of information as receptivity without a pregiven receiver to explore the operation of environmental individuation and the double role that technical media plays in it – both as an intensifier of the sensitivity of humans to the environment and as a surrogate “presentifier” of the causal lineages informing both human and environmental individuations. By thinking with some selected artworks, we will explore how humans share the world of sensibility with machines, and what this means for the role of aesthetics in experience.

 About the Speaker 

Mark B.N. Hansen is the James B. Duke Professor in the Program in Literature and in the Department of Art, Art History and Visual Studies, as well as co-founder of the Program in Computational Media Arts & Cultures, at Duke University.  His research, writing, and teaching focus on the role played by technology in human agency, environmental process, and social life, and in the philosophy of human-machine individuation. In work that ranges across a host of disciplines, including literary studies, film and media studies, process philosophy, phenomenology, science studies, cognitive neuroscience, artificial intelligence, and environmental studies, Hansen has explored the meaning of the relentless technological exteriorization that characterizes the human as a form of life. Hansen is the author of Bodies in Code: Interfaces with New Media, New Philosophy for New Media, and Embodying Technesis: Technology Beyond Writing.  His most recent book, Feed-Forward: On the Future of Twenty-First-Century Media (Chicago 2015) explores the role of computational processes in contemporary culture and their diffuse, nonperceptual impact on human experience. Current projects include Designing Consciousness, Logics of Futurity, and  Topology of Sensibility: Towards a Speculative Phenomenology. 

当前展览

吉姆·坎贝尔 & 张培力：闪烁不定

2018.03.17 – 2018.06.17
新时线媒体艺术中心（CAC）
上海市普陀区莫干山路50号18号楼

策展人
张尕

参展艺术家
吉姆·坎贝尔、张培力

Jim Campbell & ZHANG Peili: The Flickering Uncertain

17.03.2018 - 17.06.2018
Chronus Art Center (CAC)
BLDG.18, No.50 Moganshan RD., Shanghai

Curated by
ZHANG Ga

Artists
Jim Campbell, ZHANG Peili

新时线媒体艺术中心（CAC）成立于2013年，系国内首家致力于媒体艺术之展示、研究/创作及学术交流的非营利性艺术机构。通过展览、驻留、奖学金、讲座、工作坊及相关文献的梳理与出版，CAC为媒体艺术在全球语境中的论述、生产及传播开拓了一个多样化且富有活力的平台。CAC以批判地介入不断改变进而重塑当代经验的媒体技术来推动艺术创新及文化认知。

更多关于CAC五周年计划

Established in 2013, Chronus Art Center (CAC) is China’s first nonprofit art organization dedicated to the presentation, research / creation and scholarship of media art. CAC with its exhibitions, residency-oriented fellowships, lectures and workshop programs and through its archiving and publishing initiatives, creates a multifaceted and vibrant platform for the discourse, production and dissemination of media art in a global context. CAC is positioned to advance artistic innovation and cultural awareness by critically engaging with media technologies that are transforming and reshaping contemporary experiences. 

​More info about CAC 5th Anniversary Celebration programs

www.chronusartcenter.org

更多展览以及项目信息请扫码关注新时线媒体艺术中心微信公众号动态.

媒体垂询：info@chronusartcenter.org

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