长廊 Umbracle (1970)

导演: 佩雷·波尔塔贝利亚
编剧: 霍安·布罗萨 / 佩雷·波尔塔贝利亚
主演: 克里斯托弗·李 / Jeannine Mestre
官方网站: http://www.pereportabella.com/eng/fla/umbracle/home_eng.html
制片国家/地区: 西班牙
语言: 英语 / 西班牙语
片长: 85 分钟
IMDb: tt0066499

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长廊的剧情简介 · · · · · ·

　　In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. ... (展开全部) 　　In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing."
　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors.
　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella.
　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

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我要写短评

长廊的短评 · · · · · · ( 全部 14 条 )

3 有用糖罐子. 看过 2019-03-18 10:20:36

波尔塔贝利亚补完。1、继德尔库拉之后，克里斯托弗·李第二次作为标识人物出现在波尔塔贝利亚的电影中，宛如鬼魅幽灵般游荡于巴塞罗那的街头小巷，目击绑架、参观人类博物馆，并与一名偶遇的少女进行无声接触。2、导演通过默片时代的伟大喜剧及佩德罗·拉扎加的反法西斯战争片《菲尼迪诺》，达达主义诗歌朗诵和诡谲的情节剧搬演，以自身对于艺术自由创作的理想追求，评判弗朗明哥独裁统治下西班牙非人道的电影审查体制与民权压迫... 波尔塔贝利亚补完。1、继德尔库拉之后，克里斯托弗·李第二次作为标识人物出现在波尔塔贝利亚的电影中，宛如鬼魅幽灵般游荡于巴塞罗那的街头小巷，目击绑架、参观人类博物馆，并与一名偶遇的少女进行无声接触。2、导演通过默片时代的伟大喜剧及佩德罗·拉扎加的反法西斯战争片《菲尼迪诺》，达达主义诗歌朗诵和诡谲的情节剧搬演，以自身对于艺术自由创作的理想追求，评判弗朗明哥独裁统治下西班牙非人道的电影审查体制与民权压迫（屠杀活鸡）。3、叙事衔接点:金发与高跟鞋。4、声画分离实验，借由无相关的日常噪音（电话铃/敲门锤击）取代原声对白。 (展开)

0 有用 MovieManic 看过 2013-04-26 10:10:58

有默片的感觉~~~

1 有用有心打扰看过 2022-11-30 22:32:43 福建

1.摄影、音效、人物行为、结构、剪辑等方面都极富实验，而且有其挑衅观众的感觉；2.先用纪录片的形式介绍60年代西班牙的影片审查法规（完全适用中国内地电影），随后用各种类型的短片（战争、宗教、情欲、隐喻等）进行回应；3.主人公漫步街头，穿插剪辑查理·卓别林、巴斯特·基顿、哈罗德·劳埃德的经典默片，时空在此刻交汇贯通；4.角色在长椅上谈话，却没有对话声，只有从画外不断传来越来越大声的敲门声，让观众感觉... 1.摄影、音效、人物行为、结构、剪辑等方面都极富实验，而且有其挑衅观众的感觉；2.先用纪录片的形式介绍60年代西班牙的影片审查法规（完全适用中国内地电影），随后用各种类型的短片（战争、宗教、情欲、隐喻等）进行回应；3.主人公漫步街头，穿插剪辑查理·卓别林、巴斯特·基顿、哈罗德·劳埃德的经典默片，时空在此刻交汇贯通；4.角色在长椅上谈话，却没有对话声，只有从画外不断传来越来越大声的敲门声，让观众感觉着恐惧与愤怒；5.养殖场的鸡隐喻弗朗哥独裁统治时期对民主的践踏和人民的控制。 (展开)

0 有用你sha不sha 看过 2022-01-20 16:21:08

和Cuadecuc vampir是并列作吧？当然前者因为有个吸血鬼主题所以比较consistent？这部明显是实验性更重，或者如中段所述是“psychodrama/subconscious expression of film makers‘ frustration”。性、暴力、宗教、禁忌混杂在一起就变成了这种没头没尾的art form。引用almighty神父的电影后接小丑standup也是很妙... 和Cuadecuc vampir是并列作吧？当然前者因为有个吸血鬼主题所以比较consistent？这部明显是实验性更重，或者如中段所述是“psychodrama/subconscious expression of film makers‘ frustration”。性、暴力、宗教、禁忌混杂在一起就变成了这种没头没尾的art form。引用almighty神父的电影后接小丑standup也是很妙了。老李头自由发挥的唱腔（which是老李头珍贵银屏musical片段）和Raven诗都相当适合出现在这部片里，Dracula reference也夹得很可爱了XDD。哦再提下音效，不管是开头disturbing的嗡鸣，后段配合镜头拉远的拍打声，亦或是默片用念的方式唱出音阶，都好有意思！ (展开)